Reorganizing The Orthodoxy

Suspending Mutual Suspicions

The work of a photographer is a complex interplay between their unwavering dedication to a particular artistic vision and the anticipation of how this vision is received by the outside world. This delicate balance underscores the notion that a photographer's adherence to a specific style or methodology is not solely a matter of personal artistic integrity. It is equally shaped by the external pressures and potential judgments from their audience, peers, and critics.

For example, a photographer might have a profound belief in the power of natural light to convey a sense of realism and intimacy in their photographs. This belief might lead them to strictly use natural light in all their work, establishing a distinct style that becomes their signature.

However, this strict commitment is not just about their personal preference for natural light. It also reflects an underlying concern about how deviation from this chosen path might be perceived—whether it would be seen as a betrayal of their artistic principles or criticized for lacking consistency and identity.

Yet, the fear of criticism or rejection for trying something new—such as experimenting with artificial lighting or exploring abstract subjects—can also stifle creativity and growth. It can trap photographers within the confines of their own established norms, preventing them from exploring the full breadth of their creative potential. Recognizing this dynamic, photographers are faced with the challenge of navigating between the comfort of their established practices and the uncertain but potentially rewarding territory of innovation and experimentation.

The journey towards balancing these internal convictions and external expectations is where a photographer's growth lies. By daring to step outside their comfort zone and challenge the orthodoxy of their work, they open themselves up to new creative possibilities. This doesn't mean abandoning their artistic vision but rather expanding it to include new dimensions and perspectives.

This attitude addresses the need for photographers to refuse to be constrained by an orthodox view of their work. To learn to experiment around the perimeters and find the most creative way to break out of the boundaries of orthodoxy. Then, by grasping the results as a new expression of a changing orthodoxy, the photographer will be able to reintroduce himself to his favored viewers with an extended value of new work and find new favorites who see something different and exciting in the work.

Ultimately, the evolution of a photographer's work is a testament to their ability to reconcile their deep-seated artistic beliefs with the ever-changing perceptions of the external world. It is about finding a middle ground where they can remain true to their vision while also being receptive to new ideas and criticisms. This balance is crucial for sustaining a dynamic and evolving artistic practice that continues to engage, surprise, and inspire their audience. 

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